You'll spend more time with me than almost anyone else on your wedding day.
That's worth thinking about for a second. Your hairdresser gets an hour. Your photographer gets all of it, the nervous morning, the ceremony, the parts of the day you won't remember clearly yourselves. Who that person is matters.
Fifteen years, two ways of working
I've been photographing weddings for over fifteen years, long enough to have tried nearly every approach there is. What I settled on is this, some couples want their day captured exactly as it happens, with nobody directing anything. Others want that same honesty, plus a handful of images they've actually posed for, to hang on a wall or hand to their parents. Neither is more me than the other. I built The Unscripted and Classic Coverage because I stopped believing one size fits every couple, and started asking each one what they actually wanted instead.
Why venues trust me with their couples
I'm a recommended supplier at Lanwades Hall, Longstowe Hall, and The Old Hall Ely. That's not a badge I paid for, it's what happens when a venue watches how you work with their couples over enough weddings that they're comfortable putting their name next to yours. If you're getting married somewhere I haven't shot before, that same standard travels with me. I also work closely with a small group of trusted suppliers across Cambridgeshire and Suffolk, so if you need a recommendation for anything else on the day, I'm usually the first person couples ask.
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The couples who worry the most usually thank me for it
Most people don't feel natural in front of a camera, and I don't expect you to. Some of the couples I've enjoyed working with most started the day telling me they hate having their photo taken. That's fine, it's not a problem to fix, it's just where we start. By the time the day's moving, most of that awkwardness has quietly disappeared, not because I've directed it away, but because I know how to be around people without making them perform.
What the day actually looks like with me there
No shot lists read off a phone. No forcing a moment that isn't happening. If you've booked The Unscripted, I stay far enough back that you forget I'm working. If you've booked Classic Coverage, I'll ask for twenty minutes, no more, to get your families together properly, then step back into the same quiet observation for the rest of the day.
What happens after the day itself
You won't be left waiting, wondering where your photos are or guessing what happens next. I'll talk you through timelines, albums, and everything after the wedding once we're speaking directly, so nothing about the process feels like a mystery once you've booked.
Still deciding which style is right for you?
Curious how I actually work?
Get the free guide to documentary wedding photography and see both coverage packages, from £2,000.
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